Things are afoot in scholarship on the Toledot Yeshu, the unflattering medieval (?) compilation of ancient (?) Jewish traditions about
Jesus of Nazareth. In 2014 Michael Meerson and Peter Schäfer published a new two-volume
edition of the text, whose textual and codicological history is complex.1 Three years previous, Schäfer, Meerson, and Yaacob Deutsch had published ‘the Princeton
volume,’ i.e. Toledot Yeshu (“The Life Story of Jesus”) Revisited, another landmark in the study of the text.2 Research continues apace. The present volume marks another major step in that progress
and involves many of the usual suspects involved in the earlier academic conversations.
This volume does an exemplary job of including a diverse yet coherent collection of
essays that all have important things to say about TY as a text and the TY tradition, including its manuscripts, reception, parallels, and meanings. The reader
will find little to complain about in this well-edited and information-dense volume,
a volume which any scholar working on TY must now come to know intimately.
Barbu’s and Deutsch’s short introduction (1–11) does a commendable job of framing
the volume’s studies on TY in terms of the history of scholarship and the status quaestionis while providing a provocative framework in terms of theory and method. In particular,
they draw upon Amos Funkenstein’s and David Biale’s well-known discussions of ‘counter-history’
to suggest that, not only does TY represent a polemical replacement of another group’s history and memory with “a new,
supposedly more trustworthy narrative,” it may actually constitute an attempt to “reclaim
a Jewish voice in the context of Christian hegemony” (2).3 This perspective resonates with another medieval Jewish work, namely Sefer Yosippon, a rewriting of the Second Temple Period which turns the Latin, Christianized versions
of that story on their head for a Hebrew-reading audience in the early Middle Ages.
In fact, it would be easy, on reading Barbu’s and Deutsch’s introduction, to think
that TY and Sefer Yosippon were quite similar works, given that they label TY a “counter-history,” refer to it explicitly as “historiography,” and claim that it
“has much light to shed on both Christian and Jewish history” (3). But of course,
as Barbu and Deutsch admit, TY contains barely a trace of historical content, reading instead like parody or satire
or, perhaps better, a novel. To refer to it as history or historiography can be justified
in a technical sense because it is a narrative of the putative past, but this language
could be confusing when comparing TY to historiography per se or other quite different historically-oriented texts. Then
again, this taxonomy of genre by no means represents a premodern norm, and in fact
Barbu’s and Deutsch’s histor- language may help to remind us that “history” can be
and has often been something quite different literarily from what we might assume
today.
The introduction includes a wealth of prerequisite knowledge for the study of TY: the text’s date is unknown, its textual history complicated, though most scholars
agree that two text traditions predominate, the “Pilate” and “Helena” traditions,
named after which ruler presides over Jesus’ trial in the narrative.4 Yet the volume’s editors make a virtue of SY’s diffuse and diverse text tradition. They point out that particular linguistic strains
of the tradition, e.g. the Judeo-Arabic and the Yiddish, actually shed light on how
it developed over time. Moreover, they frame the volume as a series of studies interested
in exposing the diverse interests, identities, and socio-historical contexts belonging
to those who wrote, rewrote, read, used, and transmitted the TY tradition across centuries, both Jewish and Christian. While these things cannot
always be perfectly known, they provide a productive way of approaching TY as an object of study. Thus do Barbu and Deutsch cast their volume as a contribution
to the literary history of Jewish-Christian relations.
William Horbury’s chapter on “Titles and Origins of Toledot Yeshu” is well-placed at the beginning of this volume (13–42). He deals with the historical
pendulum by which Jews and Christians have seen TY as alternately ancient or very recent in origin. Such assessments were almost always
attached to dispositions toward the text’s (or texts’) contents as either fantastic,
libelous, and ridiculous or indicative of a real Jewish critique of Christianity’s
imagined beginnings. Thus did Johan C. Wagenseil (in 1681) and Moses Mendelssohn (in
1771) embody a tradition that gave little credence to the tradition and saw it as
a produce of the Middle Ages. Later, Samuel Krauss (in 1902) renewed a perspective
that imputed an ancient date to TY and held the text up as a symbol of a Jewish independence from and stance toward
Christianity. Horbury notes that recent work by Riccardo di Segni, Yaacob Deutsch,
Peter Schäfer, and Michael Meerson has returned consensus opinio to a medieval dating for the text. But it should be noted that early-medieval and
ancient traditions of Jewish contra Christianos polemics do exist that evince some connection to material found in TY. Was the latter then a late compilation of many (much) earlier traditions? Horbury
discusses this intricate web of questions as well (see 17–19).
Horbury’s contribution to the conversation comes in an analysis of the titles imputed
to this work over time.5 In particular, he examines the titles “Book of the Sentence of Jesus Son of Pandera”
and “Toledot Yeshu” respectively, titles which Horbury sees as corresponding to the
different emphases of the “Pilate” and “Helena” narratives—“on trial and death and
on events from conception onward” (20). Horbury begins by discussing the former title,
“Book of the Decree of Judgment of Jesus Son of Pandera” (ספר גזר דין דישו בן פנדירא)
and related ones as they appear in manuscripts and printed editions. The argument
is nuanced, but its upshot is that such titles “do indeed attest the importance attached
in the reception of TY to the sentence and crucifixion” (26). Since such a title is attached to one of the
surviving texts of the “Pilate” narrative (New York MS JTS 8998, 15th century),6 which lacks an opening conception story, Horbury wonders if this points to a stage
in TY tradition antedating any account of Jesus’ descent. But more than one version of
TY contains a conception story not at its beginning but later in the story. Here Horbury’s
study runs into the complications so familiar to examining Jewish traditions preserved
in medieval manuscripts dispersed across time, space, and language (Hebrew, Aramaic,
Judeo-Arabic, etc.): he deftly puts into conversation a host of texts and external
witnesses, all of which have notable idiosyncrasies, to show that a number of texts
whose titles point to an emphasis upon Jesus’ judgment and crucifixion also seem to
attest to the significance of a Jesus-origins story as part of the TY tradition.
This leads Horbury to assess the traditional title TY, which itself “can seem to hint at descent” (34)7 and which is often correlated with arguments for a late-added birth story to the
narrative. This title is typical of Ashkenazi “Helena” text traditions but goes back
at least to the 13th-14th centuries, and its singular counterpart, Toladah (de-) Yeshu dates to the 12th century or earlier. But no evidence restricts this Jewish title-group
to early conception stories. If such a narrative existed separate from the larger
tradition (and it need not have), this must have antedated the 13th-14th centuries
(contra Meerson/Schäfer), and the “Helena” narrative is itself as least as early as
the 11th century (38). In the end, Horbury’s essay makes a critical contribution to
scholarship on TY by clarifying that while the “Pilate” and “Helen” narratives do point to narrative versions with primary interests in judgment/execution or birth/origins
respectively, the story of Jesus’ birth has an apparently integral place in both iterations; yet, further still, the account of Jesus’ conception/birth was moved
to the beginning of the narrative within the “Helena” tradition at some point. Moreover,
both birth and execution as sites of polemical engagement can be traced back through
Jewish late antiquity to polemical traditions as early as the second century.8
The chapter by Daniel Stökl Ben Ezra, “On Some Early Traditions in Toledot Yeshu and the Antiquity of the ‘Helena’ Recension” (43–58), deals both with the “Helena”
text-type and with a manuscript that contains an important version of that narrative:
Strasbourg codex BnU 3974 (héb. 48, fol. 170a–175b). After establishing that the Strasbourg
manuscript is of 16th-century vintage, not 18th-century as recently argued by Horbury,9 Ben Ezra sets out to gauge the age of the text tradition contained in that manuscript.
In so doing, Ben Ezra corrects not only Horbury but also Schäfer and Meerson, the
latter having (e.g.) unnecessarily assumed a linear development of the TY narrative (45) and failed to appreciate the relative antiquity of the Judeo-Arabic
manuscripts/fragments from the Cairo Genizah (46). Some of those fragments are among
the earliest known texts of TY and, importantly, many of these (some quite early) attest to the “Helena” text-type.
This shakes the foundations of the assumption that the “Pilate” text-type is much
older than the former.
Going further, Ben Ezra challenges the interpretation of a key piece of evidence:
the external witness of Agobard and Amulo, 9th-century archbishops of Lyon to the
“Pilate” recension of TY “should … not be over-interpreted as evidence against the existence of the ‘Helena’
recension in the first millennium” (48). The “sheer number of early “Judeo-Arabic
manuscripts” of this recension makes such an absence a priori unlikely (49). Moreover, none of these early Judeo-Arabic manuscripts lacks an “Anti-Acts”
ending—some stories about Jesus’ early followers countering the triumphalist narrative
of the Acts of the Apostles—or a beginning without a Jesus birth narrative, both of
which portions of the narrative have been used to identify ‘earlier’ and ‘later’ recensions
in various manuscripts. Ben Ezra next moves to assessing five traditions that have
been used to date the “Pilate” and “Helena” recensions—which Ben Ezra sees as mutually
influential and not chronologically sequential. Most interesting is his treatment
of the “trial of the disciples,” a narrative recounting the trial of some of Jesus’
disciples, apparently corresponding to a famous Talmud passage (b. Sanh. 43a). But Ben Ezra argues that while the “Pilate” recension may be coeval with the
Talmud pericope, the “Helena” text “seems to transmit a short, more distant, and therefore
probably older version” (53). By way of comparison of one scene Ben Ezra argues that
the text-form from the Strasbourg manuscript is probably ancient.
Finally, Ben Ezra deals with one of the stranger parts of TY, where Jesus is said to have been crucified on a cabbage plant.10 This legend has been linked to a line in Tertullian’s De spectaculis 30.11 With some clever comparative etymological footwork, Ben Ezra suggests that an early
Jewish pun mocking Jesus implied that the Jesus movement misunderstood Jesus’ death
“by confusing the notion of Jesus’s death on the חוסיא, ‘mercy seat,’ with the חסיא,
the ‘lettuces,’ among which he died” (57). Ben Ezra then posits that the transfer
from oral to written tradition effected a transfer from lettuces as place of burial
to lettuce/cabbage plant as tool of execution. This argument is impossible to verify,
but enjoyable to contemplate. This is also true of Ben Ezra’s overall argument that
the traditions in TY are late antique ones—5th-century ones, in fact, both the “Pilate” and “Helena” recensions.
Ben Ezra calls these “two distinct anti-Christian Jewish compositions or proto-Toledot Yeshu” (58), and his arguments are not without merit.
Gavin McDowell, in “The Alternative Chronology: Dating the Events of the Wagenseil
Version of Toledot Yeshu” (59–80), examines a tradition wherein Jesus’ birth/life is retrojected to 100 years
before its conventional date in the first third of the first century CE. This tradition,
which eventually finds unique expression in one iteration of the TY complex, traces back to the Babylonian Talmud: at b. Sanh. 107b and b. Sotah 47a, Jesus’ career is placed toward the end of the reign of the Judean king Alexander
Jannaeus. When Jannaeus began persecuting the sages, we are told, Jesus fled to Egypt
with his master Joshua ben Peraḥyah; when later returning with his master, Jesus is
rejected and disgraced after some apparently untoward insinuations regarding a female
innkeeper. The story has many complexities, and may draw upon New Testament traditions
(namely Matthew 2:13–23, when Jesus fled to Egypt with his family following Herod’s
massacre of the innocents), earlier rabbinic legends (Jesus’ teacher Joshua seems
to have replaced Judah ben Tabai, one of the 3rd generation of zugot to rule over the Sanhedrin with Simon ben Shetaḥ; m. Avot 1:8), and perhaps late antique Aramaic magic bowls from the 5th and 6th centuries
(which mention both Joshua and Jesus, though never together).
This “alternative chronology” of Jesus found adherents in the Middle Ages too. By
this point, “writers are fully aware of the traditional chronology” (65), and thus
Medieval Jews either accepted the alternative chronology in the face of the conventional,
Christian one or else claimed that the alternative chronology concerned a different
Jesus. McDowell marshals a diverse smattering of Medieval authors to illustrate the
varieties of this tradition, from Saadiah Gaon’s overtly anti-Christian deployment
in the early 10th-century to the more oblique renderings of Judah ha-Levi and Moses
Maimonides to the powerfully polemical Abraham Ibn Dauid, whose Sefer ha-Qabbalah explains carefully and at length how the alternative chronology represents an accurate
timeline which “the Gentiles” (i.e. Christians) willfully misconstrue to support their
own crucifixion ideology. Things are more complicated with Ibn Dauid, but his testimony
is important because it clarifies why the traditional chronology would bother Jews:
because the proximity in which it placed Jesus’ crucifixion to the Temple’s destruction
fueled one of the more powerful Christian anti-Jewish polemics, whereby the Temple’s
downfall proved Jesus’ divinity, God’s rejection of the Jews, etc. After discussing
a few other uses of this alternative chronology, McDowell comes to the Toledot Yeshu.
The alternative chronology identified by McDowell does not appear in the “Pilate”
(or “Group I”) or “Helena” (or “Group II”) recensions of TY, but only in one exemplar of a third group of idiosyncratic texts. This group, which
tends to draw more upon Talmudic tradition, includes not only the “Huldreich” version
but also a “Slavic subgroup,” both of which contain fascinating if wild chronological
frames.12 Even in this milieu, however, the Wagensil version of TY is unique, situating Jesus’ birth firmly in the reign of Alexander Jannaeus assigning
and his arrest to the reign of Salome Alexandra, whom the author conflates with Queen
Helena (74). Here McDowell affirms this dating of the Wagenseil version, contra Meerson
and Schäfer, who saw the dating of Jannaeus to “the year 671 of the fourth millennium”
as an error for what should have read “the year 761 …”13 More importantly, McDowell tries to explain why Jesus is placed in the reign of Jannaeus
in the Wagenseil version: because Jannaeus was a figure infamous for having crucified
hundreds of Pharisees (Josephus Antiquities 13.379–80). Yet here, at arguably the most critical point of this chapter, the logic
appears to become confused. First McDowell cites the Nahum Pesher (4Q169 3–4 I, 6–8)
as prophesying that Jannaeus (“the Lion of Wrath”) will hang the Pharisees (“the seekers-after-smooth-things”).
He continues like this:
The Naḥum Pesher uses the Hebrew verb תלה to describe the action of Jannaeus. This
verb, which means “to hang,” is also frequently employed in the sense “to crucify.”
Examples are numerous [McDowell cites one], but in this case one need look no further
than the Toledot Yeshu tradition itself, where Jesus is always hanged instead of crucified. Therefore, when
a medieval source like Sefer Yosippon claims that Alexander Jannaeus hanged eight hundred Pharisees (ויתלו על עצים את שמונה
מאות הפרושים), the implication is that he crucified them. (75–76)
The order of argumentation here is not easy to follow. The verb means “to crucify”
in some places, yet “Jesus is always hanged” in TY? Moreover, it isn’t clear what the “therefore” means before the statement about Yosippon, but there crucifixion only remains implicit to the theoretical medieval reader of
Yosippon who did not know that text’s Latin sources (drawn predominantly from the Latin Josephus
tradition). Modern scholars can see that Yosippon’s primary source, On the Destruction of Jerusalem (De Excidio Hierosolymitano), says explicitly that “eight hundred [Pharisees] were suffixed to crosses by Alexander
in the middle of the city” (octingentos illos in medio urbis ab Alexandro cruci suffixos; 1.12.4). Yosippon was not merely implying “hanged” with תלה here. The thought never crossed the author’s
mind; rather, he used the term תלה as the de facto way to say “crucify.”
Regardless of infelicities of articulation, McDowell’s general point is well taken:
Jesus was famous for being crucified, Alexander Jannaeus for crucifying, so there
you go: “Crucifixion is the one common element of these two very different people.
It is perhaps sufficient to explain why there is a persistent tradition that Jesus
lived in the time of Alexander Jannaeus” (76). This theory has merit, and one should
also consult here McDowell’s short appendix on the birth of Jesus’ in Epiphanius’
Panarion.
The next chapter is on “Jesus the Magician in the ‘Pilate’ Recension of Toledot Yeshu” (81–98). The familiar reader will be neither surprised nor displeased to find as
the author of this chapter Gideon Bohak, more or less the modern guru on Ancient Jewish Magic since the publication of his book by that name in 2008.14 Predictably, but no less fascinating for that, Bohak’s object of study is “one of
the central features of TY’s anti-Christian polemics.” Namely, the fact that “it does not deny the claim that
Jesus performed many miracles, but insists that he did so by using magic” (82). Bohak
approaches this question within the “Pilate” recension, assuming this to contain the
oldest extant SY text tradition. First, he uses scenes from TY concerning magic to illustrate the relationships and issues related to the Aramaic,
Judeo-Arabic, and Hebrew texts of the “Pilate” recension. The Aramaic Cairo Genizah
texts, for example, retain 1) a story where John the Baptist is questioned by Jewish
leaders about magic and about Jesus’ eleven disciples, after which five of Jesus’
disciples are executed (cf. b. Sanh. 43a); 2) a tale of Jesus and John the Baptist brought by Jewish leaders before the
Roman Emperor Tiberius at Tiberias. Jesus and John, claiming to be sons of God and
healers, claim the ability to impregnate women without sex; ordered by Tiberius to
do so (to Tiberius’ daughter), she is so impregnated, but prayer on the part of the
Jewish community prompts God to turn the fetus into a stone, leading John’s and Jesus’
executions to be ordered; 3) an ensuing scene where, after John is crucified in Tiberias
and Jesus sees a cross prepared for himself, Jesus flies away in the air, but his
quintessential condemner in TY, Joshua ben Peraḥyah, flies after him and captures him, leading to his crucifixion.
Hereafter Jesus’ body is desecrated as part of a demonstration to his insistent followers
that he is in fact dead, not in heaven.
Summarizing these scenes, Bohak concludes: “Clearly, Toledot Yeshu is not a text of high literary qualities or aspirations, nor does it make a great
effort to follow the Gospel accounts or build up any kind of historical plausibility.”
Nevertheless, Bohak avers that “it is quite effective in deconstructing some of the
main Christian claims about Jesus,” and that its “nasty tone and colorful stories
clearly would have pleased any Jewish audience exposed to Christian missionary propaganda”
(85). But how can we know what is or would have been “quite effective” or “clearly”
pleasing to any Jews who knew Christians? The answer to this question is not given.
After this, Bohak moves to the Judeo-Arabic version of the TY, which fills in some of the gaps in the magic episodes left by the Aramaic fragments.
In these fragments we find a rather detailed story where Jesus’ healing abilities
are imputed to certain books of magic which he uses and which date back to the biblical
Balaam son of Peor (Numbers 22), along with new details relating to John’s and Jesus’
executions and postmortem fates. Bohak sees it as significant that the Judeo-Arabic
fragments end their stories with the titular statement, “Here ends the Judgment of
Jesus the Heretic” (תם גזר דין ישו אלמארק), a title confirmed in other texts and signaling
the fact that “in the ‘Pilate’ recension of Toledot Yeshu, the focus is on Jesus’s trial and death, and not his birth and childhood” (86).
Finally, Bohak discusses three Hebrew versions of TY, including some Genizah fragments only some of which have been published. Some are
important because of their affinity with the Aramaic and Judeo-Arabic versions.15 Another Bohak finds “problematic” (87), namely a Hebrew translation of the Aramaic
version with a Judeo-Greek-influenced opening added.16 Finally, Bohak identifies two other Hebrew texts as being close to the Aramaic.17 He then shows that the Hebrew and Judeo-Arabic can help correct orthographic or textual
errors within the Aramaic tradition, while still arguing that the latter should receive
scholarly priority; more importantly, Bohak stresses that “the Aramaic fragments from
the Cairo Genizah do not preserve the Urtext of Toledot Yeshu, if there ever was one, and they do not even represent a single unified text” (88).
The moral of the story is that one must be extremely wary of building “elaborate historical
reconstructions” upon the earliest TY texts. For this is, Bohak says, “like dancing on quicksand, with every misguided
step leading you deeper into the mud” (89).18
The latter part of this chapter features a helpful and nuanced discussion of how the
“Pilate” recension of SY subverts the admitted fact that Jesus did perform miracles by attributing them to
magic. The text’s author(s) worked hard and carefully “to create as wide a gap as
possible between Jesus’s magic and the legitimate means taken by the ‘good Jews’ who
opposed him” (91). Bohak here also examines an interesting pericope following the
episode of Jesus’ and Judah’s flights where Jesus hides himself in the cave of Elijah,
locks the cave magically, forcing Judah (the Gardner) to open the cave magically.
In this scene Bohak sees an ancient magical spell formula and even suggests that the
invocation that Judah uses to open the cave—פיתחא פיתחא איפתחי (“o cave mouth, o cave
mouth, open up!”)—may be a “playful allusion” to Jesus’ use of the same (?) verb in
Mark 7:34 when he opens a deaf man’s ears with the imperative Ἐφφαθά (93–94). But
the important point here is that the “Pilate” recension of TY plays on the familiar theme of arguing that Jesus’ miracles were born of magic19 yet gives a clear and distinctive answer to the question of where Jesus acquired
his magical skill: from the secret knowledge of magical books. These books Bohak expertly
contextualizes and discusses in the final pages of this excellent chapter.
Sarit Kattan Gribetz’s chapter, “The Mothers in the Manuscripts: Gender, Motherhood,
and Power in Toledot Yeshu” (99–129), assesses how Tiberius Caesar’s daughter, Jesus’ mother Mary, and Queen
Helena figure within the anti-Christian polemics of TY. These women, Gribetz argues, while rarely all appearing “fully developed” in the
same manuscript (99), each in her own way “contest Christian eschatological, historical,
and imperial(ist) discourse” (100). Gribetz first examines the story in which Tiberius’
daughter conceives a fetus by Jesus’ magic which subsequently turns to a stone, prompting
Jesus’ (and John the Baptist’s) execution (from the “Pilate” recension). Gribetz rightly
identifies a “striking” contrast between the Gospel narratives, in which “Jesus effortlessly
heals women with no more than a gentle touch,” and this TY episode where “an anonymous woman exposes Jesus’s identity as a false magician through
her failed pregnancy and her consequent death” (104). She sees this as all the more
significant given that in some manuscripts this woman is the only female character.
And while Gribetz wonders if Augustus’ daughter Julia the Elder (d. 14 CE) and/or
Julius Caesar’s daughter (d. 54 BCE) “might be in the far background” of this story
(105), she posits that the anonymity and namelessness of the female character have
a narrative function, as they render her unimaginable, unmournable, and undistracting
(so, one might ask, why the need for oblique historical referents?). In the end, Gribetz
posits that the woman’s stone fetus and unsuccessful conception serve as metaphors
for Jesus’ failed messianism. This suggestion is convincing, given the strong association
between the pregnancy/labor/birth metaphor and messianic hope in ancient and medieval
Jewish and Christian texts, which Gribetz discusses.20
Next Gribetz turns to Jesus’ mother Mary, situating her role in TY among the apparently later traditions and within the developing mariologies and related
ideas ascendant into and through the high and late Middle Ages. She finds that Mary
is not always negatively portrayed in TY, instead retaining her Jewish identity and carry relatively little culpability for
the whole Jesus debacle. We learn here that various parts of the TY tradition concentrate on aspects of Mary’s body, as she is Jesus’ biological mother,
but all signal the primary point that Jesus was not the son of God, but an illegitimately-conceived
human. In the Hulderich version, Mary plays an extra role: buried under the tree on
which Jesus and his siblings were hanged, Mary’s tombstone is stolen by Jesus’ relatives
and its epigraph replaced.21 This tradition combats any Christian notion of Mary herself having ascended to heaven.
Gribetz finally turns to Queen Helena, the main ruling figures in Group II and III
manuscripts of TY. She sees an undeniable association between the Adiabenian Queen Helena, the apparent
historical figure behind the text, and the later legendary mother of Constantine,
the empress Helena of the early 4th century CE. As the Queen of Adiabene had converted
to Judaism (see Josephus Jewish Antiquities 20.17–96),22 so Helena had converted to Christianity. Gribetz notes how Ora Limor and Israel Yuval
(inter alia) have identified echoes of the Constantinian Helena in TY, as a few manuscripts have Helena demanding that the cross on which Jesus was crucified
be found, a clear allusion to the historical Helena’s famed role in the ‘finding of
the true cross.’23 On this basis Gribetz parallels Helena’s role in TY to that of Mary: both bear witness to Jesus’ falseness in different ways (and while
Helena is never identified as a mother in TY, Gribetz argues that the historical Helena’s underlying her character insinuate this
identification).
Tacked onto the chapter just before the conclusion is a helpful section in which Gribetz
identifies a few other mothers and grandmothers that crop up in various TY manuscripts (123–25). Finally, Gribetz concludes that TY contains “a series of complicated mothers,” each “limited in her capacity to mother”
and each enriching the TY’s anti-Christian commentary on Jesus’ illegitimacy (125). She theorizes over a few
pages about bodies, gender, social history, and literary discourse, eventually implicating
the role that women could have played in the development and transmission of these
traditions. This leads to admittedly unanswerable questions, such as: “What aspects
of these stories might have originated with women, how did the narratives change when
they were retold by women, and what roles did women have in their transmission?” (128–29).
Such musings are interesting, but by ending on such an ambivalent note, Gribetz robs
her chapter of some of its explanatory and revelatory power as a fascinating display
of one key and enlightening angle from which TY must be understood.
Alexandra Cuffel’s chapter on “Toledot Yeshu in the Context of Polemic and Sīra Literature in the Middle East from the Fatimid
to the Mamluk Era” (131–67) builds upon Philip Alexander’s key insight that the Judeo-Arabic
and Judeo-Persian versions of TY addressed two different ‘gospels,’ as it were, i.e. both Christian and Muslim versions
of Jesus’ life.24 Cuffel goes further by situating TY within the literary genre of Sīrah (pl. Siyar), which could range from biography or travelogue to epic hero tale, the most famous
of which is the life of Muḥammad, Sīrat Muḥammad (or Sīrat Rasūl Allah), written by Ibn Isḥāq (d. 761 CE). More specifically, Cuffel classes TY somewhere “between the religious Siyar and the epic Siyar” (133), focusing on a religious figure yet containing entertaining aspects of adventure
stories.25 Cuffel also draws upon the fact of TY’s appearance in four Middle Eastern languages to reflect upon the possibility of
diverse target audiences of the text(s), and sees the pervasiveness of Jewish-Christian
polemic, along with Muslim interest in Jesus traditions,26 and most especially the latent potential of Muslims converting to Christianity or
Judaism, as further items necessary for contextualizing TY within an Islamicate milieu.
Cuffel begins in earnest by stressing that “Middle Eastern, or at least Egyptian Jews”
of the kind that would have produced the Judeo-Arabic TY texts from the Cairo Genizah were demonstrably interested readers of texts written
by and about Christians and Muslims as well (138). Indeed, religious polemic constituted
one of their “central genres of interest.” This may suggest, Cuffel says, that TY’s popularity was due both to its anti-Christian but also its anti-Muslim refutatory
power. More diffident is Cuffel’s subsequent suggestion that some Muslims might or could have read TY. It was possible. In the same vein, we read that Eastern Christian communities “likely
… had some awareness” of the TY tradition (140). These are interesting possibilities to entertain, but it is difficult
to take them very far.
Another means of contextualization that Cuffel tries out is a comparison of TY with the works of Samaw’al al-Maghribī (1130-1180), a Jewish convert to Islam who
wrote polemics and an autobiography. His autobiography describes a journey towards
Islam that involved reading some Islamic texts, which Cuffel takes as evidence of
“a culture of reading among Jews that included a thirst for … tales of adventure across
denominational lines” (141). This leads her to wonder whether Christians and Muslims
too might not have been interested in reading out-group texts with “a pronounced religious
bias” (142). The information introduced here is salient, but the upshot is simply
a guided tour of the imagination: ‘It certainly seems like Christians and/or Muslims would have been interested in TY and might have read it…’
Next Cuffel revisits whether TY traditions might be reflected in the Qur’an, especially given the Jewish influences
within the ḥadīth. She marks that Suras IV 156–57 and XIX 27–28 show Jews denigrating Mary’s virtue,
which of course need not implicate the TY at all, as Cuffel notes. She then targets a portion of Sura IV where Jews take credit
for crucifying Jesus, though the reader is told that it only appeared to them that
they had. Remarkably, here Cuffel ‘leaves aside’ “musings about Docetic or Valentinian
influences” (which have seem quite striking here to some) and suggests that such Jewish
self-claiming of responsibility for Jesus’ crucifixion “is much closer to the claims
made in the Toledot Yeshu and the Talmud” (144). Equally surprising is Cuffel’s remark from the attribution
of Jesus’ miracles to magic in the Qur’an (twice with the formula إِنْ هَـٰذَآ إِلَّا
سِحْرٌۭ مُّبِينٌۭ)27 that this might implicate the TY, though she refrains from fully endorsing this conclusion.28 Traditions associating Jesus with magic are much older and more widespread than the
TY tradition (see Origen Contra Celsum 1.28–32, e.g.), and the Qur’an’s engagement with this discourse is quite general.
Also relatively generalized are the statements that Samaw’al al-Maghribī makes about
Jesus and Moses in his Ifḥām al-Yahūd. He attributes the miracles of both to magical skills, particularly the practiced
use of God’s name. Such instrumentalization of the divine name is a known phenomenon
already in antiquity. Yet Cuffel concludes: “Based on the resemblance between Al-Maghribī’s
portrayal of Jesus and his abilities in the Toledot Yeshu, it seems likely that Al-Maghribī was drawing from Toledot Yeshu and constructed this parallel depiction of Moses and Jesus as a counter to the polemical
thrust of the Toledot Yeshu” (147). This seems like a stretch—it is, of course, not impossible, but how far must
one look for source material associating Jesus and/or Moses with the use of the divine
name? Certainly no further than the Jewish and Christian Scriptures themselves (see
Exodus 3:15; John 10:25). A later statement about Jesus in the same work is overtly
engaged with stories from the Gospels (see 148n57). Certainly the richer stories in
the TY add texture to these Jesus traditions, but here it seems that an author like Al-Maghribī
would have needed little more than the Gospels themselves, let alone the traditionary
baggage they had accrued over a thousand years of use and transmission, both written
and oral, to depict, for example, Jews accusing Jesus of healing sick people on the
Sabbath.
Cuffel deals with a related passage in Ibn Qayyim al-Jawziyya’s (1292-1350) Book of Gifts for the Confused in Answering the Jews and the Christians (Kitāb Hidāyat al-Ḥayārā fī ajwibat al-Yahūd wa al-Naṣārā). Here again one wonders if Cuffel overstates her case in finding the combination
of illegitimacy and magic attributed to Jesus by the Jews as evidence of TY’s influence. Of course, TY’s fluidity and extent within early Jewish polemic seems to have been quite diffuse
and difficult to track, but is the TY tradition itself a necessary explanatory mechanism for such cookie-cutter accusations
against Jesus? Is the text’s mention of Jesus being called a “swindler/trickster”
by Jews also in need of a TY-as-source explanation? To be clear, all of Cuffel’s suggestions are interesting and
worth taking seriously, but none are markedly compelling. So again when Hidāyat al-Ḥayārā records the Jews as having called Jesus a bastard whose father was “the adulterer
al-Bandīra.” These traditions are as old as the third century at least (Origen Contra Celsum 1.32–33, 69), and certainly the roots of the TY might tentatively be located back that far as well, but no definite connections are
made. It is indeed difficult to imagine these anti-Jesus traditions apart from the
influence of certain polemical discourses, be they those of the Talmud, the TY, or others, but what the influences actually were and how they might have been mediated
remains a mystery. The most we can say is that Muslims read, recognized, and reproduced
certain anti-Christian polemics purveyed by and/or involving Jews.
The next part of Cuffel’s chapter takes the themes of impurity, illegitimacy, and
religious deception so characteristic of the TY and describes how these “would have resonated with various types of Jews, Christians,
and Muslims” in Egypt (154). In other words, Cuffel here combines particular articulations
of Christian, Jewish, or Muslim thinking about a host of issues as they pertain to
the person of Jesus. This section is a helpful overview of multi-religious thought
on these topics in the pre-Mamluk Middle East, and students of polemical exchange
among the Abrahamic religions will find interesting material mentioned in these pages.
The place of TY in this discussion is simply as a textual tradition testifying to a type of discourse
in which it fits well and which it conversely can help to delineate. Adding real value
to Cuffel’s article are its two short appendices comprising editions and translations
of Cambridge UL, T.-S. NS 298.57 and Petersburg RNL, Evr.-Arab. II.3014 respectively.
Expanding further the ‘reception of TY’ theme is Jonatan M. Benarroch’s chapter: “‘A Real Spark of Sama’el’: Kabbalistic
Reading(s) of Toledot Yeshu” (169–86). Benarroch begins by stating that TY likely influenced Kabbalistic traditions, though this is hard to prove, and that
Kabbalah left its mark upon certain recensions of TY. The most striking correlation is the theme of the knowledge and magical use of the
“Ineffable Name.” Building upon his own previous work in this area (170n7), here Benarroch
argues that particular interpretations of the biblical blasphemer (Lev 24:10–23) in
the Zohar “were developed into a clear Kabbalistic reading of Toledot Yeshu by the sixteenth and seventeenth century kabbalists R. Isaac Luria and R. Naftali
Hertz Bakhrakh” (173). First he approaches places where Jesus is associated with the
Mesite, the Israelite who entices his fellows to idolatry described in Deuteronomy 13:7–12,
in Kabbalistic texts. For example, R. Ḥayim Vital (1542-1620), a student of R. Isaac
Luria, directly identifies Deuteronomy 13:7 with Jesus in his Ets ha-Daat Tov, where he also identifies Jesus’ father as “Pandera the Nazarene” (פנדיר״א הנוצרי).
Vital also links Jesus with the blasphemer from Leviticus 24:10–23 in his Sefer ha-Gilgulim. This discussion, while interesting, is not so far as I can tell the promised demonstration
of a link between TY and later Kabbalah; rather, we read here of what “might … be evidence” of Vital’s
“acquaintance with a version of Toledot Yeshu” and of things that “may well derive from Toledot Yeshu” (such as Jesus being described as a bastard, mamzer, by Vital; 176–77). In other words, anti-Jesus polemic in later Kabbalah has many
affinities with themes present in the TY. But we already knew that.
The next section deals with passages in Naftali Hertz Bakhrakh’s Emek ha-Melekh which contain both probable and nearly-certain derivations from the TY tradition. For example, the story told in Emek ha-Melekh 5, 32:20d–21a where R. Simon Kepha and R. Judah of the Sanhedrin use the Ineffable
Name, which Jesus is said to have stolen, to defeat Jesus (sacrificing themselves
in the process), only appears elsewhere in TY. Most interesting in this section are the ways in which Kabbalistic authors bring
together anti-Jewish polemics and Jewish mysticism into an intricate web of symbolism
and allegory: Jesus appears as the serpent (= Devil, = Sama’el) who defiled Adam and
Eve, and the origin of Cain, and enjoys a series of convoluted and half-articualted
relationships with Israel, the Shekhinah (the feminine divine presence endemic to Kabbalah), his parents, and even Moses—at
one point Moses appears as a prototype messiah who beats the Serpent-qua-Jesus (and
Christendom) with the “staff of Metatron,” the Kabbalistic arch-angel who himself
turned from a serpent into a staff for the occasion. And this is only the tip of the
iceberg. The fantastic imaginaries of Kabbalah mysticism run full-tilt through this
section, and a knowledge of that milieu becomes necessary for making sense of the
complex discourses under discussion. However, Benarroch’s basic argument remains simple
enough, though the correlations between TY and these later Kabbalistic texts seems to exude more allusion and parallel than
demonstrable source and reception relationships. The diverse TY and Kabbalah traditions engaged a world of Jewish discourse and polemic populated
by many interrelated themes and tropes, textual and otherwise, and simply pointing
to the variegated affinities linking TY and, e.g., Naftali Hertz Bakhrakh may be the point of the exercise.
Finally, Benarroch shows that a passage from the “Slavic A1” recension of TY contains a passage that appears to draw upon a writing of the 17th-century R. Isaiah
Horowitz (Shnei Luchot ha-Brith ha-Shalem) and on the Emek ha-Melekh. Here Jesus and Christendom are identified with Sama’el, i.e. “the prince of Edom
(Esau),” and the Golden Calf. By this late period, influence ran both ways between
TY versions and Kabbalistic texts.
In “The Secret Booklet from Germany: Circulation and Transmission of Toledot Yeshu at the Borders of the Empire” (187–218), Daniel Barbu and Yann Dahhaoui take a minor
episode in the history of Jewish-Christian conflict—the 1429 prosecution of the Jews
of Trévoux—as an example of “the sort of historical accidents that bring Toledot Yeshu to the surface” (187). From this they make deductions about the reception, use, and
cultural positioning of TY in the Middle Ages.
The primary source for Barbu’s and Dahhaoui’s investigation is a manuscript: MS Paris,
BnF, Lat. 12722. This document provides the basis for a story in which thirteen Jews
from the town of Trévoux were arraigned and the books of the town’s Jewish community
investigated. Their books were taken, their Talmuds confiscated, their Bibles returned.
Further investigation eventually led to the discovery of “an original text of Toledot Yeshu” (190). Several Jews disavowed knowledge of the book, whereas its owner, a certain
Peyret, confessed to having commissioned it and commentated upon it (though never
having shown it to anyone). And while we do not know what became of Peyret, we do
know that the Jews were theoretically expelled from that French town for at least
several decades hence; then again, the presence of some eleven Jews, including Peyret,
is attested just a few years later.
Barbu and Dahhaoui parallel the nebulous Peyret to another historical figure, Perez
Trabot, who produced a Hebrew-Italian glossary in one manuscript of which we read
of the author’s tribulations—expellation, imprisonment, selling into slavery—and in
the prologue of which the author encourages Jewish parents to resist Christian “heretics”
(by teaching their own children biblical Hebrew). Trabot also penned other works evincing
fodder for anti-Christian polemics. This leads Barbu and Dahhaoui to conclude: “It
is not impossible to think that a similar impulse could have encouraged a member of
just such a community to take pains to copy, read, and maybe teach Toledot Yeshu” (192). The authors next contextualize the event of 1429 historically before linking
the confiscation of Jewish books that occurred there to similar occurrences in the
early-15th century states of Savoy. These witch hunts targeted Jewish material that
carried particular pockmarks of anti-Christian sentiment.
Eventually Barbu and Dahhaoui engage the seminal 1885 article by Isidore Loeb on BnF
Lat. 12722,29 disagreeing with the latter’s opinion that it is the copy of an original and arguing
instead that this manuscript is the original record of the event. They then assess
the highly valuable Middle-French text of TY contained in the manuscript (a striking feature of the codex, spanning fol. 135r–140r).
Based on a fewclues, they suggest that this text constitutes a translation of the
work “carried out (orally) in the immediate context of the inquiry” and note that
it constitutes a “quite faithful rendition” of the “Helena” recension (202–203); in
fact, its text aligns quite well with the famous Hebrew Strasbourg manuscript (MS
Strasbourg, BnU, 3974 [héb. 48], fol. 170r–175v). A notable variant of BnF Lat. 12722,
however, is the inclusion of a rather explicit sexual component to a scene in (certain
versions of) TY in which Judas Iscariot and Jesus are flying by using the name of God. Importantly,
this shows that this episode was not added to TY by the Viennese theology professor Thomas Ebendorfer, who around the 1450s included
a Latin translation of TY in his Lies of the Jews (Falsitates Judeorum), as has been recently argued.30
Overall, Barbu’s and Dahhaoui’s case study is indeed, as they say, “an extraordinary
testimony of a Toledot Yeshu text in context” (211), and evidence of one way in which medieval Jews fought back
against the oppression of their religious, literary, dogmatic, and even ownership
capacities within a Christian world. Two appendices to the chapter provide a calendar
of the 1429 Trévoux investigation and a catalogue of BnF Lat. 12722’s contents.
Next up is Stephen Burnett’s chapter on “Martin Luther, Toledot Yeshu, and ‘the Rabbis’” (219–30). Burnett studies “Martin Luther’s creative ‘analysis’
of Toledot Yeshu in his polemical book On the Ineffable Name (1543)” as “one of the strangest literary” uses of TY to be found: Luther uses it to slander “the rabbis” as biblical commentators and
thus delegitimate these Jewish ‘opponents’ for a Christian reading audience (219).
As backdrop, Burnett notes Martin Luther’s surprising switch from tolerance in his
1523 Jesus Christ Was Born a Jew to his “vicious program of Jew hatred” represented by his three 1543 treatises. These
latter were written to help Protestant ministers steel their congregations against
Jewish readings of the Christian Old Testament, to encourage regional princes to quash
or expel the Jews and Jewish activity in their domains, and to warn Christian Hebraists
again trusting the Jews too much in deciphering the Hebrew Bible. A characteristic
feature of these 1543 writings is a “filthy vituperative language” previously absent
from Luther’s work (221).
In On the Ineffable Name Luther dealt with Jewish beliefs concerning the Tetragrammaton and the genealogy
of Mary. Burnett calls TY “perhaps Luther’s chief source of ‘inspiration’” for penning that work (223), and
Luther’s version of TY apparently contained parts 5–9 as identified by Meerson and Schäfer.31 Luther’s piecemeal presentation of the TY tradition is ruthless, as he describes the Jewish blasphemy therein in terms of all
the most unseemly bodily emissions. He portrays the Jews as being in league with the
Devil and parodies Jewish belief, concocting from TY what Burnett calls a “Jewish creed,” a kind of antithesis to the Christian catechism
(225). The articles of faith that Luther identifies in TY are “bizarre, offensive, and wholly fictitious,” just like his deconstructive approach
to Catholic texts, Burnett tells us. Luther avers that “a true Jew must forsake reason”
and affirm ridiculous beliefs, such as that 1) Queen Helena ruled over Judea in Jesus’
time, 250 years before her birth, 2) the Shem ha-Meforash was protested by two copper guard dogs, and 3) large cabbage stalks grew in the Jerusalem
sanctuary (and whatever else the rabbis told them). The long and short of it is that
Luther presented a number of arguments that appear absurd and unconvincing to modern
ears and which seem to display his ignorance; and he did so in the most offensive
manner possible, as Burnett’s not inappropriate, though nevertheless extensive, series
of condemnatory adjectives and air-quotes makes clear.
In the last few pages of his contribution Burnett explains how Luther’s inner logic
connected the rabbis, who are never named as such in TY, with that text. The moral of the story is that Luther leveraged a tradition he scarcely
understood into an exaggerated, polemical condemnation of a Jewish belief system which
he apprehended as an obvious outsider.32
Next, Evi Michels deals with “Yiddish Toledot Yeshu Manuscripts from the Netherlands” (231–62), which, she says, “have not received much
scholarly attention” (231). Having surveyed twenty-six of these, Michels focuses on
those manuscripts that reflect the temporary messianic presumptions of Sabbatai Zvi
(1626–1676), especially NLI, Heb. 80 5622, a manuscript copied by Judah Leib ben Ozer in 1711, but also eight other manuscripts
produced shortly later. Before moving to the manuscripts, Michels introduces 17th-
and 18th-century Amsterdam as an unusual place in which free debate between Christians
and Jews was possible. She also portrays it, and the Netherlands writ large, as a
place redolent of messianic expectations and enthusiasm on the part of both Jews and
Christians. This helps situate Yiddish manuscripts from there that condemn the Jewish
“false messiah” Sabbatai Zvi along with the Christian messiah, Jesus.
Michels begins with two manuscripts from 1711 and 1718 respectively that each contain
TY (Gzeyres Yeshu Nozri or Gezerot Yeshu) followed by a biography of Sabbatai Zvi. She discusses parallels and details of
these manuscripts, suggesting that ben Ozer may have appended the biography of Sabbatai
Zvi to TY as a means of forestalling messianic missionary efforts, which he himself had to
confront at times. Michels then moves on to another manuscript that contains both
of these texts and also a parody on Purim called Massekhet Purim. This leads to musings about TY’s entertainment value and its use for wider audiences, possibly even being performed:
the frontispiece on MS New York, JTS, 2219 (fol. 1r) “suggests a possible connection
between Toledot Yeshu and theatrical performance” (244). Another manuscript with similar proclivities,
namely MS Amsterdam, EH, 47 A 21 (fol. 1r), appears in fact “more humorous than properly
polemical” (246). Michels goes so far as to posit that this manuscript’s scribe sought
“to stress that disputations between [Christianity and Judaism] ought to come to an
end” (cf. fol. 65v). This leads to a short section in which she discusses religious
exchanges between Jews and Christians in the 18th-century Netherlands, a milieu peppered
with messianic and eschatological interests. This in turns leads to a discussion of
TY within the context not only of “Jewish enthusiasm for Baroque theatre,” but also
the context of Yiddish popular literature more generally. Michels further seeks to
lighten the force of TY in her particular context of study by, for example, discussing how TY does not evince real engagement with biblical tradition but, as argued by William
Horbury, is grounded in Midrash, itself influenced by the ancient Greek novel.33 One wonders here how much of TY’s sardonic edge the text’s alleged goofiness could realistically curtail.
Nevertheless, Michels’ overall argument turns out to be that in the context of the
Netherlands in the 1600s and 1700s, “the goal of the narrative [of TY] is not to attack, but rather to entertain” (251). This argument has merit, and is
in this chapter well-treated (though the chapter’s English-language editing needed
another run-through). An appendix with an annotated list of Yiddish TY manuscripts makes Michel’s chapter all the more valuable. Michel’s chapter is in
fact interesting to compare to Burnett’s: the former reads like a kind of apology
for a particular strain of the TY tradition, whereas the latter is a determined invective against the Christian misuse
of TY (a misuse itself carried out with apologetic intent); that is, both chapters proffer
ethical valuations of TY’s content and use.
Remaining in Yiddish territory is the next chapter, by Claudia Rosenzweig: “The ‘History
of the Life of Jesus’ in a Yiddish Manuscript from the Eighteenth Century (Ms. Jerusalem,
NLI, Heb. 80 5622)” (261–315). This was one of the main manuscripts discussed in Michels’ chapter.
Rosenzweig more succinctly situates the TY tradition within Yiddish literary and popular culture and provides a helpful list
of remarks regarding what distinguishes Yiddish TY texts: 1) most are from the 17th and 18th centuries; 2) most are from the “Helena”
recension; 3) most present themselves as having been translated from Hebrew (from
Loshn-koydesh); 4) their translation technique includes the formalized practice characteristic
of the translation (taytsh) of the Hebrew Bible into Yiddish (the “language of the kheyder”).34
Rosenzweig gives a thorough description of the Jerusalem manuscript, which contains
TY as first in a series of stories of false messiahs, which “should be seen as a whole”
(270). The reader is here provided with some detailed and lengthy textual examinations
that bear out the conceptual unity of the manuscript and its writer. This leads Rosenzweig
to her conclusion, in line with Michels’, that “Toledot Yeshu was read in many ways and in many contexts,” including as parody, “as shund-literatur (a sort of trahs literature ante litteram),” and even “as a novel” (273). In a lengthy appendix she includes a transcription
of the TY (Gzeyres Yeshu ha-Nozri) from the Jerusalem manuscript and a translation. Rosenzweig’s chapter is succinct,
largely descriptive, and detailed, one of the more philologically-robust discussions
of the volume, and its transcription/translation increases the value of this volume
as a whole.
The final chapter of the volume is by Yonatan Moss, entitled “‘I Am Not Writing an
Apology’: Samuel Krauss’s Das Leben Jesu in Context” (317–). Moss’s chapter deals with Samuel Krauss, the “towering giant
of Judaic studies” who fled the Nazi Anschluss in 1938 to spend the last decade of his life in Cambridge, England and “in heartbreak”
(317–18). This chapter is connected to the previous by its discussion of Erich Bischoff,
who, anti-Semitist though he was, published an Oxford manuscript containing the Yiddish
TY, which served as the forerunner to Krauss’s 1902 work, Das Leben Jesus nach jüdischen Quellen (Berlin: S. Calvary & Co.). And indeed, Krauss borrowed Bischoff’s classification
of TY manuscript types and even included and responded to glosses by Bischoff throughout
his work. Yet, Moss argues, “the turn-of-the-century Central European academic playing
field upon which the Protestant Bischoff and the Jewish Krauss played an apparently
fair and ‘friendly’ game of historical scholars was, in fact, fundamentally uneven”
and already contained the latent presence of the “ultimate, full-fledged, stark contrast”
between the two that would emerge in the 1920s and 1930s (320). With this disparity
in mind, Moss sets out to show that Krauss’s work on TY “was shaped in response to the politically dominant supersessionist Christian (particularly
Protestant) perspective that prevailed throughout his lifetime” (321), an industry
which Moss sees as ‘circumscribing the value’ of Krauss’s work for today yet also
providing a deeper appreciation of Krauss’s achievement in his own day.
Moss shows convincingly how both Bischoff and Krauss situated their own work on TY within the larger game of uneven Jewish-Christian power relations in Protestant Europe.
Krauss did this in part by inoculating the immediate effects of TY’s content by mining it as a historical source for “facts” and presenting his work
as the respectable exercise of source criticism. In this Moss sees Krauss’s project
as similar to TY itself, inasmuch as Krauss claims that the TY is to be traced back to Christian sources, while TY implies that Christianity’s story can be traced back to Jewish sources. Bischoff
predictably objected to Krauss’s attempts in this regard, and so did Hermann L. Strack
(1848–1922), who did not develop the anti-Semitic penchant that Bischoff did. That
is, like Bischoff, Strack saw TY as “fundamentally satirical, and therefore unhistorical,” which Moss classes a “supersessionist
outlook clothed in the language of scientific objectivity” (329). It is difficult
here to avoid the impression that Moss is writing about Protestant figures he does
not like, who understood TY as helpful mostly for understanding the late Middle Ages (i.e. its supposed time
of writing),35 and a Jewish figure whom he does like, who “treated Toledot Yeshu as a work of ancient history” (330). Then again, most humanities scholarship long
ago jettisoned any notion that what it was doing was something ‘objective.’
Moving on to Krauss’s inability to accept all of Bischoff’s suggestions on larger
questions of methodology, Moss shows how Krauss’s ‘lingering anxieties’ about these
appear in his translation, but they do not always dictate the direction in which he
goes. When Krauss translated the anal sex/rape (משכב זכר) in the Judas Iscariot and
Jesus flying scene at one level of remove—he “soiled him with seminal ejaculation”—Bischoff
proffered a laconic gloss: “No; sodomy.” Moss sees in both impulses to translate this
scene in different ways a motivated agenda, either a softening apologetic (Bischoff)
or a damning insistence upon literalism (Krauss). Overall, Moss finds in Krauss’s
treatment and translation of TY an awareness of the risks of doing such a thing but also “a project of ‘survival
and triumph,’ where anti-Christian jokes … could simultaneously be revealed and concealed,
and where the fundamentally anti-Christian agenda of Toledot Yeshu could be subversively turned around and rooted in Christian sources” (335). This
leads to Moss’s final section, where he describes the paradigm shift Krauss introduced
into the study of TY: previously its origins had been located in the Middle Ages; subsequently the traditions
it contains were seen to date to late antiquity. In conclusion, Moss assesses Krauss’s
claim not to be writing apologetic in light of the foregoing material, concluding
that we “miss the point” if we label Krauss an apologist, because “the apologist does
not write with ‘double-consciousness’ as Krauss did” (339–40). I find this definitional
claim suspect (surely apologists do write and have written with such a dual perspective),
but I am also not sure exactly what we might mean by “apologist” or “apologetic” nor
exactly what is at stake in viewing Krauss’s work—or that of other Jews or minorities-in-context—in
such terms. Would it be a ‘bad’ thing? I would be far more interested in the taxonomic
work that such a noun or adjective did. But I do agree with Moss that a helpful way
to frame Krauss’s contribution to TY scholarship is to emphasize his simultaneous awareness of his environment/interlocutors
and his own particular perspective and methodology, informed as it was (and always
is) on a particular Sitz im Leben.
The volume ends with a few short but helpful indices. Overall, the contents of this
volume are of a very high quality. One cannot locate one chapter in this volume that
does not move scholarship forward, deal responsibly with its source material, and
provide new and fresh insights on TY. Alongside other recent work on TY, much of it mentioned in the introduction and footnotes to this review, this volume
becomes a starting place and sine qua non of a contemporary scholarly approach to TY in any of its many, often strikingly distinctive, and always interesting, variants.